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Catalogue of Special Exhibition of Bronze Mirrors in the National Palace Museum, National Palace Museum, Taipei, 1986

Chase, W. T.; “Chinese Bronzes: Casting, Finishing, Patination, and Corrosion” in Scott, David A., Podany, Jerry, and Considine, Brian (eds); Ancient and Historic Metals: Conservation and Scientific Research, The Getty Conservation Institute, Los Angeles, 1994

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Bronze mirrors have been produced in China for approximately 4000 years, with the earliest known examples, dating to around 2000 BC, coming from the Qijia culture in the north-west of China.1 For a considerable time, they were produced in small numbers: for example, there were only four mirrors, out of a total of 468 bronze objects, excavated from the Shang tomb of the royal consort Fu Hao,2 and there are about twenty excavated Western Zhou mirrors and fewer from the Spring and Autumn period.3 It was not until the Warring States period that mirror production began on a large scale, and it flourished in the Han and Tang dynasties. The basic form of the bronze mirror, a highly polished reflective surface and a decorative back, remained unchanged from the earliest times until bronze gave way to silvered glass in the eighteenth century.

The precise composition of bronze varies depending on the object being manufactured: more copper makes the alloy more malleable, while more tin produces a harder metal. The alloy used to manufacture mirrors from the Warring States period to the Tang dynasty was composed of between 66 and 78 per cent copper, 18 and 26 per cent tin, and 1 and 9 per cent lead.4 This high-tin bronze was brittle but quite corrosion resistant, and produced a silver-coloured surface that took a high polish and was therefore perfect for its purpose. In both China and Japan there were itinerant professional mirror polishers5 who would grind the surface to remove deep scratches and corrosion, if necessary, and then polish the face with a substance known as xuanxi (black tin), the composition of which is recorded in the Ming dynasty as being six parts alum, one part tin, one part mercury and one part deerhorn ash,6 to keep the mirror bright.

There is much debate about the colouring of mirrors, as to whether the colour is purely the result of burial conditions or whether it was intentionally produced. By the Song dynasty, the colours of mirrors had been named: heiqigu (the antique [appearance of] black lacquer), luqigu (the antique [appearance of] green lacquer), qianbei (lead grey) and shuiyinqin (quicksilver white).7 Zhu and He8 maintain that the colour is the result of different burial conditions and they are supported by Meeks.9 However, this theory is challenged by Chase,10 who notes that there were different patinations on the bronzes in the tombs of Liu Sheng (circa 113 BC) and Dou Wan, at Mancheng, Hebei province. The prince and his consort were buried in two caves hollowed out of a mountainside and then sealed, and therefore the objects within were not subject to burial in earth.

From our group, we have one Western Han example that challenges the theory that the colours were produced by burial conditions alone. The xingyun (star and cloud) mirror (no. 5) has two distinct and discrete original colours: a black ground with details in bright silvery-white. The mother-of-pearl inlaid mirror (no. 13) is also interesting in that it has an inlaid metal band to the rim, and as there is no evidence of any gilding, we may infer that the metal into which the decorative elements were inlaid must have been deliberately coloured.

While there were some square mirrors in the Warring States period, the predominant shape until the Tang dynasty was round. During the Tang, more shapes appear, including lobed (kuihua jing), foliate (linghua jing), and square mirrors also re-emerge. Many examples have a slightly convex face so that more of the viewing image can be seen.

There are some variations to the basic mirror form, and we have several in this exhibition. During the Warring States period, double-tiered mirrors were produced, for which the reflective face and openwork decoration were cast separately. We are extremely fortunate to have an outstanding example (no. 1). Much innovation took place during the Tang dynasty, including the production of gold- and silver-backed mirrors. These were made by insetting a sheet of gold or silver, decorated in the repoussé technique, into the reverse of the mirror. We have one inset with a silver-gilt plaque (no. 16), two parcel-gilt silver-backed examples (nos. 14 and 15) and one silver-backed (no. 17). Another novelty of the Tang was the jinyin pingtuo technique. This involved fixing silver or gold inlays on to a recessed mirror back, covering the surface with layers of lacquer, and then polishing until the surface became level. No. 12, an iron mirror with silver-gilt inlays, is a rare example. Lastly we have the superb mother-of-pearl inlaid mirror, no. 13. Constructed in basically the same way as no. 12, it is similar in design and decoration to the famous example excavated in Luoyang, Henan province, in 1955, and now in the collection of the National History Museum, Beijing.

Most mirrors, and all those in this collection, have a loop or knop set to the centre of the back or decorated side. A cord would have been looped through the hole to hold the mirror; the benefit of this arrangement was that there was no need to touch the reflective front, although obviously the mirror could also be held in both hands or by the knop. From the Han to the Sui dynasty, stands with arc-shaped frames were commonly used.11 During the Sui and Tang dynasties, it became fashionable to sit on a chair at a table, rather than stand, and the design of mirror frames altered to accommodate this change.12

Mirrors were expensive, luxury items and were status symbols of the privileged classes. Most Warring States mirrors have been found in the region of the ancient Chu state, centring on Changsha, although the more elaborate inlaid and two-tier mirrors came from further north and have been unearthed in areas such as Luoyang in Henan province, and Linzi in Shandong.13 During the Han dynasty, the Directorate for Imperial Manufactories (Shangfang) was established and was responsible for overseeing the Court manufacture of mirrors,14 and there are examples with inscriptions stating that they were made by the Shanfang.15 Government-sponsored workshops were set up in various places and inscriptions on mirrors of this time sometimes name the locations of these workshops.16 However, the main centre of mirror production during the Eastern Han was Shaoxing. By the Tang dynasty, mirror ownership broadened to include the literati and rising merchant classes, and it was perhaps to satisfy the increasing demand that private workshops opened alongside court production.17 Yangzhou became the centre of mirror manufacture during the Tang dynasty.

Although clearly both functional and ornamental, mirrors were popular for other reasons as well. They were associated with religious and spiritual beliefs and were often thought to ward off evil. Their decoration relates to harmony and auspiciousness in life and the hope for immortality in the afterlife.

Chinese bronze mirrors are not only prized for their beauty and artistry, but they also offer an insight into the prevailing culture of the period. Their manufacture began on a large scale as the production of ritual bronzes went into decline during the Warring States period; it is appropriate therefore to treat mirrors as a special category. Certainly, the Qianlong Emperor (1736–95) treasured his mirror collection and kept it in remarkable cases, complete with paintings of the mirrors, various identification labels and yellow satin padded covers.18
Miranda Clarke

1. Ma, Ancient Bronze Mirrors from the Shanghai Museum, pl. 35, p. 27, shows an example from Duomatai, Guinan county, Qinghai province.
   
2. Institute of Archaeology, CASS, Tomb of Lady Hao at Yinxu in Anyang, colour pl. 12 shows two examples.
   
3. Sun, Xi’an Wenwu Jinghua: Tongjing, p. 9.
   
4. Zhu and He, “Studies of ancient Chinese mirrors and other bronze artefacts”, p. 52.
   
5. Nakano et al, Bronze Mirrors from Ancient China: Donald H. Graham Jr Collection, p. 18.
   
6. Zhu and He, ibid, p. 57.
   
7. Zhu and He, ibid, p. 53.
   
8. Zhu and He, ibid, pp. 61–2.
   
9. Meeks, “Patination phenomena on Roman and Chinese high-tin bronze mirrors and other artefacts”, pp. 81–2.
   
10. Chase, “Chinese Bronzes: Casting, Finishing, Patination, and Corrosion”, pp. 109–10.
    
11. Ma, ibid, p. 59.
    
12. Nakano et al, ibid, p. 21.
    
13. Chen, “Early Chinese Bronze Mirrors”, pp. 264–5.
    
14. Catalogue of Special Exhibition of Bronze Mirrors in the National Palace Museum, p. 36.
    
15. Hu, Visible Traces: Rare Books and Special Collections from the National Library of China, no. 31, pp. 118–20, illustrates a rubbing of a Shanfang mirror.
    
16. Bunker, “The Metallurgy of Personal Adornment”, p. 43.
    
17. Chou, Circles of Reflection: The Carter Collection of Chinese Bronze Mirrors, p. 8.
    
18. Feng, Emperor Ch’ien-lung’s Grand Cultural Enterprise, no. III-2, pp. 110–11; and Fong and Watt, Possessing the Past: Treasures from the National Palace Museum, Taipei, fig. 184, pl. 350a and b, pp. 547 and 549: both illustrate pages from the Xi Qing Xu Jian (Qing Court catalogue of bronzes).

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– Connoisseurship of Chinese Jades, Vol. 12, Qing Dynasty, Chinese Art Foundation, Chicago and San Francisco, 1997
Li, Xueqin; The Glorious Traditions of Chinese Bronzes: From the Anthony & Susan Hardy Collections and the Sze Yuan Tang, Asian Civilisations Museum, National Heritage Board, Singapore, 2000
Lin, Pe-yu (chief ed.); Censers, Incense Burners and Hand Warmers: Wellington Wang Collection, National Museum of History, Taipei, 2000
Lin, Pe-yu (chief ed.); Chinese Incense Burners: Collection of Steven Hung & Lindy Chern, National Museum of History, Taipei, 2000
Lin, Pe-yu (ed.); Clarified Beauty of Bronze Mirrors: Wellington Wang Collection, National Museum of History, Taipei, 2001
Lion-Goldschmidt, Daisy and Moreau-Gobard, Jean-Claude; Chinese Art, Studio Books, London, 1960
Liu, Qingzhu (ed.); 100 Major Archaeological Discoveries in the 20th Century in China, China Social Sciences Press, Beijing, 2002
Lloyd Hyde, J. A.; Chinese Painted Enamels from Private and Museum Collections, The China Institute in America, New York, 1969
Lu, Yanzhen, Li, Wenshan and Wan, Yi (eds.); Life of the Emperors and Empresses in the Forbidden City, China Travel and Tourism Press, Beijing, 1983
Mai, Chih-ch’eng (ed.); Masterworks of Chinese Jade in the National Palace Museum, Supplement, National Palace Museum, Taipei, 1973
McElney, Brian Shane; Inaugural Exhibition (Volume 2: Chinese Metalwares and Decorative Arts), The Museum of East Asian Art, Bath, 1993
Medley, Margaret, The Chinese Potter: A Practical History of Chinese Ceramics, Phaidon, Oxford, 1976
Medley, Margaret; T’ang Pottery and Porcelain, Faber and Faber, London, Boston, 1981
Metal-bodied Enamel Ware: The Complete Collection of Treasures of the Palace Museum, The Commercial Press (Hong Kong) Ltd, 2002
Michaelson, Carol; Gilded Dragons: Buried Treasures from China’s Golden Ages, The British Museum, London, 1999
Mowry, Robert D.; China’s Renaissance in Bronze: The Robert H. Clague Collection of Later Chinese Bronzes 1100–1900, Phoenix Art Museum, 1993
National Museum of Chinese History; Exhibition of Chinese History, Morning Glory Publishers, Beijing, 1998
Nott, Stanley Charles; Chinese Jade throughout the Ages: A Review of its Characteristics, Decoration, Folklore and Symbolism, B. T. Batsford, London, 1936
Nott, Stanley Charles; Chinese Jades in the Stanley Charles Nott Collection, The Norton Gallery and School of Art, West Palm Beach, Florida, 1942
Nott, Stanley Charles; The Flowery Kingdom, The Chinese Culture Society Group of America, New York, 1967
Palace Museum (ed.); 50 Selected Gems of Cultural Relics – newly collected in the Palace Museum in the last fifty years, Forbidden City Publishing House, Beijing, 2002
Palace Museum; Images of Buddha: Collections of the Palace Museum, Forbidden City Publishing House, Beijing, 2007
Pirazzoli-t’Serstevens, Michèle (tr. Janet Seligman); The Han Civilization of China, Phaidon, Oxford, 1982
Porcelain of the Jin and Tang Dynasties: The Complete Collection of Treasures of the Palace Museum, The Commercial Press (Hong Kong) Ltd, 1996 Porcelain of the Song Dynasty (I): The Complete Collection of Treasures of the Palace Museum, The Commercial Press (Hong Kong) Ltd, 1996
Porcelains in Polychrome and Contrasting Colours: The Complete Collection of Treasures of the Palace Museum, The Commercial Press (Hong Kong) Ltd, 1999
Portal, Jane (ed.); The First Emperor: China’s Terracotta Army, The British Museum Press, London, 2007
Priest, Alan; Chinese Sculpture in the Metropolitan Museum of Art, New York, 1944
Rawski, Evelyn S. and Rawson, Jessica (eds.); China: The Three Emperors 1662–1795, Royal Academy of Arts, London, 2005
Rawson, Jessica; Chinese Jade from the Neolithic to the Qing, British Museum Press, London, 1995
Rawson, Jessica and Ayers, John; Chinese Jade throughout the ages, Oriental Ceramic Society, London, 1975
Rawson, Jessica and Bunker, Emma; Ancient Chinese and Ordos Bronzes, The Oriental Ceramic Society of Hong Kong, 1990
Riddell, Sheila; Dated Chinese Antiquities 600–1650, Faber and Faber, London and Boston, 1979
Roberts, Laurance P.; “Chinese Jades” in Chinese Jade: Selected Articles from Orientations 1983–1996, Orientations Magazine Ltd, Hong Kong, 1997, pp. 95–100
Salmony, Alfred; Archaic Chinese Jades from the Edward and Louise B. Sonnenschein Collection, The Art Institute of Chicago, 1952
Sargent, William R.; The Copeland Collection: Chinese and Japanese Ceramic Figures, The Peabody Museum of Salem, Salem, Massachusetts, 1991
Sato, Masahiko; Chinese Ceramics: A Short History, Weatherhill/Heibonsha, New York and Tokyo, 1981
Schätze Chinas aus Museen der DDR, Philipp von Zabern, Mainz am Rhein, 1990
Schloss, Ezekiel; Ming-Ch’i: Clay Figures Reflecting Life in Ancient China, The Katonah Gallery, Bedford, New York, 1975
Schneeberger, Pierre-F. (Katherine Watson tr.); The Baur Collection Geneva: Chinese Jades and Other Hardstones, Collections Baur-Genève, Geneva, 1976
Scott, Rosemary E.; Illustrated Catalogue of Ming and Qing Monochrome Wares in the Percival David Foundation of Chinese Art, revised edition, School of Oriental and African Studies, University of London, 1989
Scott, Rosemary E.; Elegant Form and Harmonious Decoration: Four Dynasties of Jingdezhen Porcelain, Percival David Foundation of Chinese Art and Sun Tree Publishing, 1992
Setterwall, Åke, Fogelmarck, Stick and Gyllensvärd, Bo; The Chinese Pavilion at Drottningholm, Allhems Förlag, Malmö, 1974
Shen, Hsueh-man (ed.); Gilded Splendor: Treasures of China’s Liao Empire (907–1125), The Asia Society, New York, 2006
Shenyang Imperial Palace Museum; The Prime Cultural Relics Collected by Shenyang Imperial Palace Museum: The Enamel Volume, Volumes Publishing Company, Shenyang, 2007
Shi, Ya Zhu (ed.); Treasures from the Han, Historical & Cultural Exhibitions Pte Ltd, Singapore, 1990
Shih, Shou-chien; The National Palace Museum Guidebook, National Palace Museum, Taipei, 2005
Shoudu Bowuguan Cang Ci Xuan, The Capital Museum, Cultural Relics Publishing House, Beijing, 1997 (3rd ed.)
So, Jenny F. (ed.); Music in the Age of Confucius, Freer Gallery of Art and Arthur M. Sackler Gallery, Smithsonian Institution, Washington DC, 2000
Song Yun: Sichuan Yao Cang Wenwu Jicui (The Charm of Song: Cultural Artefacts from Hoards in Sichuan), National Museum of China, Beijing, 2006
Special Exhibition: Oriental Lacquer Arts, Tokyo National Museum, 1977
Speiser, Werner; China: Spirit and Society, Art of the World Series, Methuen, London, 1960
Strange, Edward F.; Chinese Lacquer, Ernest Benn Ltd, London, 1926
Tianjin Shi Yishu Bowuguan Cang Yu (Collection of Jades in the Tianjin City Art Museum), Cultural Relics Publishing House, Beijing, 1993
Tibet Museum (ed.); Jade Selections from Yuan, Ming and Qing Dynasties in the Tibet Museum, Cultural Relics Publishing House, Beijing, 2005
Till, Barry and Swart, Paula; Antique Chinese Cloisonné, Art Gallery of Greater Victoria, 1983
Treasures of Chang’an: Capital of the Silk Road, The Urban Council, Hong Kong, Cultural Bureau of Shaanxi, Hong Kong Cultural and Art Foundation, 1993
Tregear, Mary; One Man’s Taste: Treasures from the Lakeside Pavilion, Baur Collection, 1989
Trésors du Musée national du Palais, Taipei: Mémoire d’Empire, Association Française d’Action Artistique and Éditions de la Réunion des musées nationaux, Paris, 1998
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Tsang, Gerard and Moss, Hugh; Arts from the Scholar’s Studio, The Oriental Ceramic Society of Hong Kong and Fung Ping Shan Museum, University of Hong Kong, 1986
Tsiang, Katherine R.; Radiance and Virtue: The R. Norris Shreve Collection of Chinese Jade and Other Oriental Works of Art, Indianapolis Museum of Art, 1983
Uldry, Pierre; Chinesisches Gold und Silber: Die Sammlung Pierre Uldry, Museum Rietberg, Zurich, 1994
Valenstein, Suzanne G.; A Handbook of Chinese Ceramics, The Metropolitan Museum of Art, New York, 1975
Valenstein, Suzanne G.; Cultural Convergence in the Northern Qi Period:
A Flamboyant Chinese Ceramic Container, The Metropolitan Museum of Art,
New York, 2007
Wang, Michelle C.; A Bronze Menagerie: Mat Weights of Early China, Isabella Stewart Gardner Museum, Boston, Massachusetts, 2006
Wang, Wellington; Belt Ornaments Through The Ages: Wellington Wang Collection, Harvest International Inc., Taipei, 1996
Watson, William; Handbook to the Collections of Early Chinese Antiquities, The Trustees of the British Museum, London, 1963
Watson, William; Art of Dynastic China, Thames and Hudson, London, 1981
Watson, William (ed.); Chinese Ivories from the Shang to the Qing, British Museum Publications Ltd, London, 1984
Watson, William and Ho, Chuimei; The Arts of China after 1620, Yale University Press, New Haven and London, 2007
Watt, James C. Y.; Chinese Jades from Han to Ch’ing, The Asia Society in association with Weatherhill, Inc., New York, 1980
Watt, James C. Y.; The Arts of Ancient China, reprinted from The Metropolitan Museum of Art Bulletin (Summer 1990), The Metropolitan Museum of Art, New York, 1990
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White, Anthony, Chen, Xiejun and Wang, Qingzheng (eds.); Seventeenth Century Jingdezhen Porcelain from the Shanghai Museum and the Butler Collections: Beauty’s Enchantment, Shanghai Museum, 2005
White, Julia M. and Otsuka, Ronald Y.; Pathways to the Afterlife: Early Chinese Art from the Sze Hong Collection, Denver Art Museum in association with University of Hawaii Press, 1993
White, William Charles; Tombs of Old Lo-yang, Shanghai, 1934
Wood, Nigel; Chinese Glazes, Craftsman House, 1999
Wu, Tung; Earth Transformed: Chinese Ceramics in the Museum of Fine Arts, Boston, MFA Publications, Boston, 2001
Xu, Huping; Treasures in the Royalty: The Official Kiln Porcelain of the Qing Dynasty, Shanghai Wenhua Chubanshe, 2003 Xue, Bisheng; Zhongguo Yuqi Shangjian, Shanghai, 2000
Yang, Boda (chief ed.); A Romance with Jade: From the De An Tang Collection, Cultural Relics Publishing House, Beijing, 2004
Yang, Jianfang; The Beauty of Jade, Yishu Tushu Gongsi, Taipei, 1993
Yu, Lianggen and Zhou, Li; Luo Yang Tao Yong, Beijing Tushuguan, Beijing, 2005
Zhang, Bai; Complete Collection of Ceramic Art Unearthed in China, Science Press, Beijing, 2008
Zhang, Guangwen, Jadeware (I): The Complete Collection of Treasures of the Palace Museum, Shanghai Kexue Jishu Chubanshe, 2008
Zhang, Guangwen, Jadeware (II): The Complete Collection of Treasures of the Palace Museum, Shanghai Kexue Jishu Chubanshe, 2008
Zhang, Guangwen and Zhang, Shoushan; Jade Artifact Collection in the Palace Museum, Forbidden City Publishing House, Beijing, 1996
Zhang, Tunsheng (ed.); Zhongguo Qingtongqi Quanji (Treasury of Chinese Bronzes), Cultural Relics Publishing House, Beijing, 1998
Zhang, Xin (chief ed.); Colorful, Elegant, and Exquisite: A Special Exhibition of Imperial Enamel Ware from Mr Robert Chang’s Collection, Suzhou Museum, 2007
Zhongguo Meishu Fenlei Quanji: Zhongguo Jinyin Boli Falangqi Quanji, Vols. 5 and 6, Hebei Meishu Chubanshe, 2002
Zhongguo Meishu Quanji, Vol. 9, Jade, Cultural Relics Publishing House, Beijing, 1986
Zhongguo Qiqi Quanji (Treasury of Chinese Lacquer), Fujian Yishu Chubanshe, 1993
Zhongguo Wenwu Jinghua Da Quan (Bronze volume), Taiwan Commercial Press, 1993
Zhongguo Wenwu Jinghua Da Quan (Metal, Jade, Stone volume), The Commercial Press (Hong Kong) Ltd, 1994
Zhou, Lili; “The Zande Lou Ceramics Gallery” in Chinese Ceramics: Selected articles from Orientations 1982–2003, Orientations Magazine Ltd, Hong Kong, 2004, pp. 374–8
Zhu, Lizhu (ed.); Ming Qing Guwan Zhenshang (The Authentication and Appreciation of Ming and Qing Objects), Shanghai Guji Chubanshe, Shanghai, 2003

Summer Exhibition 2008

Addis, John; Chinese Blue and White Porcelain, The Oriental Ceramic Society of Hong Kong, Hong Kong, 1975
Ancient Chinese Arts in the Idemitsu Collection, Japan, 1989
Arapova, Tatiana E.; Chinese Painted Enamels, The Hermitage Museum, St Petersburg, 1988
Art of the Warring States Period, The, Osaka Municipal Museum of Art, Osaka, 1991
“Arts of the Ming Dynasty, The” in Transactions of the Oriental Ceramic Society, Vol. 30, 1955–7
Auspicious Emblems: Chinese Cultural Treasures – 45th Anniversary Exhibition of the Min Chiu Society, The Hong Kong Museum of Art, 2005
Avitabile, Gunhild Gabbert; Die Ware aus dem Teufelsland: Chinesische und japanische Cloisonné- und Champlevé-Arbeiten von 1400 bis 1900, Museum für Kunsthandwerk, Frankfurt am Main, 1981
Ayers, John; Blanc de Chine: Divine Images in Porcelain, China Institute Gallery, New York, 2002
Bamboo, Wood, Ivory and Rhinoceros Horn Carvings: The Complete Collection of Treasures of the Palace Museum, The Commercial Press (Hong Kong) Ltd, 2002
Bartholomew, Therese Tse and He, Li; The Tata Collection of Chinese Antiquities in the Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (formerly the Prince of Wales Museum of Western India), Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, Mumbai, 2002
Battesti, Teresa and Schubnel, Henri-Jean; Jades Impériaux: National Museum of History, Taipei, Taiwan, Galerie de Minéralogie, Paris, 1993
Besse, Xavier; La Chine des porcelaines, Réunion des Musées Nationaux, Paris, 2004
Beurdeley, Michel; The Chinese Collector through the Centuries: From the Han to the 20th Century, Charles E. Tuttle, Rutland, Vermont, and Tokyo, 1966
Beurdeley, Michel; Chinese Furniture, Kodansha, Tokyo, New York and San Francisco, 1979
Bluett, Edgar E.; The Riesco Collection of Old Chinese Pottery and Porcelain, London, 1951
Brinker, Helmut and Fischer, Eberhard; Treasures from the Rietberg Museum, The Asia Society in association with John Weatherhill, Inc., New York, 1980
Brinker, Helmut and Lutz, Albert; Chinese Cloisonné: The Pierre Uldry Collection, The Asia Society Galleries, New York, 1989
Bronze Articles for Daily Use: The Complete Collection of Treasures of the Palace Museum, The Commercial Press (Hong Kong) Ltd, 2006
Brown, Claudia; Chinese Cloisonné: The Clague Collection, Phoenix Art Museum, Phoenix, Arizona, 1980
Brown, Claudia and Chou, Ju-hsi (eds); Clarity and Luster: New Light on Bronze Mirrors in Tang and Post-Tang Dynasty China, 600–1300, The Cleveland Museum of Art, Cleveland, Ohio, in association with Brepols Publishers, Turnhout, Belgium, 2005
Burkart-Bauer, Marie-Fleur; Chinesische Jaden aus drei Jahrtausenden, Museum Rietberg, Zurich, 1986
Bushell, S. W.; Chinese Art, Victoria and Albert Museum, The Board of Education, London, 1924
Carvalho, Pedro de Moura; The World of Lacquer: 2000 Years of History, Calouste Gulbenkian Foundation, Lisbon, 2001
Catalogue of Special Exhibition of Bronze Mirrors in the National Palace Museum, National Palace Museum, Taipei, 1986
Catalogue of a Special Exhibition of Hindustan Jade in the National Palace Museum, National Palace Museum, Taipei, 1983
Catalogue of the International Exhibition of Chinese Art, 1935–6, Royal Academy of Arts, London, 1935
Ceramic Art of China, The, Oriental Ceramic Society, London, 1971
Chan, Hou Seng (editor-in-chief); Qing Legacies: The Sumptuous Art of Imperial Packaging, The Macau Museum of Art, Macao, 2000
Chan, Hou Seng (editor-in-chief); The Life of Emperor Qianlong, The Macau Museum of Art, Macao, 2002
Charles B. Hoyt Collection, The, Museum of Fine Arts, Boston, 1952
Ch’en, Fang-mei; Catalogue of the Special Exhibition of Shang and Chou Dynasty Bronze Wine Vessels, National Palace Museum, Taipei, 1989
Chen, Hsia-Sheng; Enamel Ware in the Ming and Ch’ing Dynasties, National Palace Museum, Taipei, 1999 Chen, Jiang; Jade: Gems of Collections in Nanjing Museum, Shanghai Chinese Classics Publishing House, 1998
Chen, Runmin (ed.); Qing Shunzhi Kangxi Chao Qinghuaci (Qing Dynasty Blue and White Porcelain from the Shunzhi and Kangxi Reigns), Forbidden City Publishing House, Beijing, 2005
China at the Inception of the Second Millennium: Art and Culture of the Sung Dynasty, 960–1279, National Palace Museum, Taipei, 2000
Chinese Antiquities from the Brian S. McElney Collection, The Urban Council, Hong Kong, 1987
Chinese Lacquer in the Palace Museum Collection, National Palace Museum, Taipei, 1981
Chinesische Kunst, exhibition, Wurfel Verlag Berlin, 1929
Chung, Wah-pui, Michaelson, Carol and So, Jenny; Chinese Jade Animals, Urban Council of Hong Kong, 1996
Clifford, Derek; Chinese Carved Lacquer, Bamboo Publishing Ltd, London, 1992
Clunas, Craig; Chinese Export Watercolours, The Victoria and Albert Museum, Far Eastern Series, London, 1984
Clunas, Craig; Chinese Carving, The Victoria and Albert Museum, London, and Sun Tree Publishing, Singapore, 1996
Cohn, William; Chinese Art, The Studio, London, 1930
Dahl, Klaus and Hede, Christian (intro.); Treasures from Imperial China: The Forbidden City and The Royal Danish Court, The Royal Silver Vault, Copenhagen, 2006
d’Argencé, René-Yvon Lefebvre; Bronze Vessels of Ancient China in the Avery Brundage Collection, Asian Art Museum of San Francisco, 1977
David, Lady; Illustrated Catalogue of Ch’ing Enamelled Ware, University of London, Percival David Foundation of Chinese Art, School of Oriental and African Studies, London, 1973
De Bisscop, Nicole; Chinese Jade and Scroll Paintings from the Dongxi Collection, Kredietbank, Brussels, 1995
Deydier, Christian; XXXIIIe Biennale des Antiquaires, Oriental Bronzes, Paris, 2006
Donnelly, P. J.; Blanc de Chine, Faber and Faber, London, 1969
Dubosc, Jean-Pierre; Exhibition of Chinese Art, organised by Commune di Venezia and Istituto Italiano per il Medio ed Estremo Oriente, Roma, Alfieri Editore, Venice, 1954
du Boulay, Anthony; Chinese Porcelain: Pleasures and Treasures, Weidenfeld and Nicolson, London, 1963
Emerson, Julie, Chen, Jennifer and Gates, Mimi Gardner; Porcelain Stories from China to Europe, Seattle Art Museum in association with University of Washington Press, Seattle and London, 2000
Empty Vessels, Replenished Minds: The Culture, Practice, and Art of Tea, National Palace Museum, Taipei, 2002
Evarts, Curtis; Liang Yi Collection: Small Objects, United Sky Resources Limited, Hong Kong, 2007
Exhibition of Ancient Chinese Ceramics: From the Collection of the Kau Chi Society of Chinese Art, The Art Gallery, The Chinese University of Hong Kong, 1981
Exhibition of Chinese Ceramics from Neolithic Age to Qing Dynasty, Museum of Oriental Ceramics, Osaka, 1986
Fang, Jing Pei; Treasures of the Chinese Scholar, Weatherhill, New York and Tokyo, 1997
Feng, Xiaoqi and Chen, Runmin; Blue and White Porcelain of Ming and Qing Dynasties, Cultural Relics Publishing House, Beijing, 2000
Forsyth, Angus and McElney, Brian; Jades from China, The Museum of East Asian Art, Bath, 1994
Foster, Suzanne Haney; Chinese Jade: The Image from Within, Pacific Asia Museum, Pasadena, California, 1986
Garner, Sir Harry (intro.); Chinese Blue and White Porcelain 14th to 19th Centuries, The Oriental Ceramic Society, London, 1953
Garner, Sir Harry; Chinese and Japanese Cloisonné Enamels, Faber and Faber, London, 1970 (2nd ed.)
Garner, Sir Harry; Oriental Blue and White, Faber and Faber, London, 1970 (3rd ed.)
Gifts of the Tang Emperors: Hidden Treasures from the Famen Temple, The Niigata Prefectural Museum of Modern Art, Asahi Shimbun, 1999
Gillingham, Michael; Chinese Painted Enamels, Ashmolean Museum, Oxford, 1978
Great National Treasures of China: Masterworks in the National Palace Museum, National Palace Museum, Taipei, 1983
Gu, Fang; The Complete Collection of Jades Unearthed in China, Science Press, Beijing, 2005
Guo, Yuhai; Gugong Cang Jing, Forbidden City Publishing House, Beijing, 1996
Gyllensvärd, Bo; Chinese Gold & Silver in the Carl Kempe Collection, Stockholm, 1953
Gyllensvärd, Bo; Chinese Ceramics in the Carl Kempe Collection, Almquist & Wiksell, Stockholm, Göteborg, Uppsala, 1964
Gyllensvärd, Bo (intro.); The Tectus Collection: Chinese Ceramics, Centraltryckeriet AB, Borås, 1991
Hai-wai Yi-chen: Chinese Art in Overseas Collections, Jade I, National Palace Museum, Taipei, 1986
Hai-wai Yi-chen: Chinese Art in Overseas Collections, Jade II, National Palace Museum, Taipei, 1999
Han, Wei and Deydier, Christian; Ancient Chinese Gold, Les Editions d’Art et d’Histoire, Arhis, Paris, 2001
Hansford, S. Howard; Chinese Carved Jades, Faber and Faber, London, 1968
Hansford, S. Howard; The Seligman Collection of Oriental Art, Vol. I, Chinese, Central Asian and Luristan Bronzes and Chinese Jades and Sculptures, The Arts Council of Great Britain, 1957
Harrison-Hall, Jessica; Ming Ceramics in the British Museum, The British Museum Press, London, 2001
Hartman, Joan M.; Chinese Jade through the Centuries, Chinese Institute in America, New York, 1969
He, Li; Chinese Ceramics: The New Standard Guide, Thames and Hudson, London, 1996
Hearn, Maxwell, K.; Ancient Chinese Art: The Ernest Erickson Collection in the Metropolitan Museum of Art, The Metropolitan Museum of Art, New York, 1987
Herberts, K.; Oriental Lacquer: Art and Technique, Thames and Hudson, London, 1962
Ho, Kam-chuen et al; Splendour of the Qing Dynasty, The Urban Council, Hong Kong, 1992
Hobson, R. L.; The Eumorfopoulos Collection, Ernest Benn Ltd, London, 1926
Hobson, R. L., Rackham, Bernard and King, William; Chinese Ceramics in Private Collections, Halton & Truscott Smith, Ltd, London, 1931
Homage to Heaven, Homage to Earth: Chinese Treasures of the Royal Ontario Museum, University of Toronto Press, Toronto, Ontario, 1992
Honey, W. B.; Guide to the Later Chinese Porcelain Periods of K’ang Hsi, Yung Cheng, and Ch’ien Lung, The Victoria and Albert Museum, Department of Ceramics, The Board of Education, London, 1927
Howard, David and Ayers, John; China for the West: Chinese Porcelain and other Decorative Arts for Export illustrated from the Mottahedeh Collection, Sotheby Parke Bernet, London and New York, 1978
Illustrated Catalogue of Ancient Jade Artifacts in the National Palace Museum, National Palace Museum, Taipei, 1982
Illustrated Catalogue of Tokyo National Museum, Chinese Ceramics II, Tokyo National Museum, 1990
Institute of Archaeology, CASS; Tomb of Lady Hao at Yinxu in Anyang, Cultural Relics Publishing House, Beijing, 1980
Institute of Archaeology, CASS, The; The Luoyang Branch of the Archaeological Museum, Institute of Archaeology, Chinese Academy of Social Sciences, Cultural and Art Publishing House, Beijing, 1998
Ip, Yee; Chinese Jade Carving, The Urban Council, Hong Kong, 1983
Ip, Yee and Tam, Laurence C. S.; Chinese Bamboo Carving, The Urban Council, Hong Kong, Part I, 1978, and Part II, 1982
Jackson, Anna and Jaffer, Amin (eds); Encounters: The Meeting of Asia and Europe 1500–1800, The Victoria and Albert Museum, London, 2004
Jadeware (I): The Complete Collection of Treasures of the Palace Museum, The Commercial Press (Hong Kong) Ltd, 1995
Jadeware (III): The Complete Collection of Treasures of the Palace Museum, The Commercial Press (Hong Kong) Ltd, 1995
Jenyns, R. Soame and Watson, William; Chinese Art: The Minor Arts II, Oldbourne Press, London, 1965
Jiang, Tao and Lin, Yunhui; Jades from the Hei-Chi Collection, Cultural Relics Publishing House, Beijing, 2006
Jixiang – Auspicious Motifs in Chinese Art, The Tokyo National Museum, 1998
Jörg, Christiaan J. A.; Chinese Ceramics in the Collection of the Rijksmuseum, Amsterdam: The Ming and Qing Dynasties, Philip Wilson Publishers Limited, London, 1997
Jourdain, Margaret and Jenyns, R. Soame; Chinese Export Art in the Eighteenth Century, Spring Books, Feltham, Middlesex, 1967
Juliano, Annette L. and Lerner, Judith A.; Monks and Merchants: Silk Road Treasures from Northwest China, Gansu and Ningxia, 4th–7th century, Harry
N. Abrams, Inc., with The Asia Society, New York, 2001
Kerr, Rose; Later Chinese Bronzes, Bamboo Publishing Ltd in association with the Victoria and Albert Museum, London, 1990
Kerr, Rose (ed.); Chinese Art and Design: The T. T. Tsui Gallery of Chinese Art, The Victoria and Albert Museum, London, 1991
Keverne, Roger (ed.); Jade, Anness Publishing, London, 1991
Kilburn, Richard S.; Transitional Wares and Their Forerunners, The Oriental Ceramic Society of Hong Kong, 1981
Kleiner, Robert; Chinese Jades from the Collection of Alan and Simone Hartman, Hong Kong, 1996
Krahl, Regina; Chinese Ceramics from the Meiyintang Collection, Azimuth Editions, London, 1994
Kuboso Memorial Museum of Art; The Chinese Art Exhibition, Izumi, 1984
Kuboso Memorial Museum of Art; Special Exhibition: Tin-Bronze of China, Izumi, 1999
Kwan, Simon (intro.); Imperial Porcelain of Late Qing from the Kwan Collection, Art Gallery, The Chinese University of Hong Kong, 1983
Lacquer Wares of the Qing Dynasty: The Complete Collection of Treasures of the Palace Museum, The Commercial Press (Hong Kong) Ltd, 2006
Lam, Peter Y. K. (ed.); Jades from the Tomb of the King of Nanyue, The Museum of the Western Han Tomb of the Nanyue King, Guangzhou, The Art Gallery, The Chinese University of Hong Kong, Kau Chi Society of Chinese Art and The Woods Publishing Company, 1991
Lang, Gordon; The Wrestling Boys: An exhibition of Chinese and Japanese Ceramics from the 16th to the 18th Century in the Collection at Burghley House, Burghley House, Stamford, 1983
Legeza, Ireneus László; Malcolm MacDonald Collection of Chinese Ceramics, Oxford University Press, 1972
Lei, Congyun, Yang, Yang and Zhao, Gushan; Imperial Tombs of China, The Memphis International Cultural Series in association with The State Bureau of Cultural Relics of the People’s Republic of China, 1995
Leidy, Denise P., Siu, Wai-fong Anita and Watt, James C. Y.; Chinese Decorative Arts, The Metropolitan Museum of Art, New York, 1997 (reprint of The Metropolitan Museum of Art Bulletin, Summer 1997)
Levy, Percy R.; Jade, n.d.
Li, Bingwu; National Treasure Collection of Rare Cultural Relics of Shaanxi Province (Jade), Shaanxi Remin Jiaoyu Chubanshe, Xi’an, 1999
Li, Jian; Eternal China: Splendors from the First Dynasties, The Dayton Art Institute, Dayton, Ohio, 1998
Li, Jiufang (author), Yang, Boda (chief ed.); Chinese Jades Throughout the Ages
– Connoisseurship of Chinese Jades, Vol. 11, Qing Dynasty, Chinese Art Foundation, Chicago and San Francisco, 1996
Li, Xixing (editor-in-chief); The Shaanxi Bronzes, Shaanxi People’s Fine Arts Publishing House, Xi’an, 1994
Li, Zhengang (ed.-in-chief); Longmen Museum, Daxiang Publishing House, Zhengzhou, 2005
Lin, Pe-yu (chief ed.); Chinese Incense Burners: Collection of Steven Hung & Lindy Chern, National Museum of History, Taipei, 2000
Little, Stephen; The Herzman Collection, Stanley Herzman, 2000
Little, Stephen with Eichman, Shaun; Taoism and the Arts of China, The Art Institute of Chicago, 2000
Liu, Guangtang; Lushun Museum, Cultural Relics Publishing House, Beijing, 2004
Loehr, Max; Ancient Chinese Jades from the Grenville L. Winthrop Collection in the Fogg Art Museum, Harvard University, Fogg Art Museum, Harvard University, Cambridge, Massachusetts, 1975
Loo, C. T. & Co.; “Exhibition of Chinese Arts”, New York, 1941
Loveday, Helen; Chinese Bronzes in the Ashmolean Museum, Ashmolean Museum, Oxford, 1990
Lovell, Hin-cheung (honorary ed.); Jingdezhen Wares: The Yuan Evolution, The Oriental Ceramic Society of Hong Kong and the Fung Ping Shan Museum, University of Hong Kong, 1984
Luoyang Municipal Archaeological Team; Western Zhou Tombs at Beiyao, Luoyang, Cultural Relics Publishing House, Beijing, 1999
Luzzato-Bilitz, Oscar; Oriental Lacquer, Hamlyn, 1969
Lyons, Elizabeth; Archaic Chinese Jades: Mr and Mrs Ivan B. Hart Collection, Smith College Museum of Art, Northampton, Massachusetts, 1963
Ma, Chengyuan et al; Treasures from the Shanghai Museum, Queensland Art Gallery, 1990
Markel, Stephen (ed.); The World of Jade, Marg Publications, Bombay, 1992
Marks, Richard et al; The Burrell Collection, Collins, London and Glasgow in association with Glasgow Museums and Art Galleries, 1984
Masterpieces of Old Chinese Ceramics from Ataka Collection, Tokyo, 1975
McMeekin, Ivan; Chinese Ceramics: From the Neolithic Period to the end of the Sung Dynasty, The Art Gallery of New South Wales, 1965
Medley, Margaret; Illustrated Catalogue of Porcelains Decorated in Underglaze Blue and Copper Red in the Percival David Foundation of Chinese Art, School of Oriental and African Studies, London, 1963
Medley, Margaret; Yüan Porcelain & Stoneware, Faber and Faber, London, 1974
Medley, Margaret; The Chinese Potter: A Practical History of Chinese Ceramics, Phaidon, Oxford, 1976
Medley, Margaret; T’ang Pottery and Porcelain, Faber and Faber, London, Boston, 1981
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